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Guardian Industries Attends Florida Tour Preview During a special pre-concert ceremony on January 4 at Orchestra Hall, William
Davidson (left), President of Guardian Industries, presented Maestro Neeme
Järvi with sunglasses and a t-shirt in preparation for the DSO's upcoming Florida
Tour. The tour is made possible by the Guardian Touring Fund, established by
Davidson.
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L to R Clockwise: Toasting the tour are Ralph
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The Detroit Symphony Orchestra tour party arrived in West Palm Beach on Tuesday afternoon after a routine flight and short bus ride. 80 degree weather and a cloudless sky greeted the sun-starved Michiganians, as did palm trees waving in the breeze and an array of colorful flowers in full bloom. Small lizards with curly tails scampered poolside, and the musicians celebrated their arrival and the commencement of the Orchestra’s Florida Sunshine Tour, sponsored by Guardian Industries. A
major treat was in store for the evening, as the first concert of the
tour was still 24 hours away. The DSO’s Chairman of the Board, Peter
Cummings, and his wife, Julie, hosted a glamorous evening of cocktails
aboard a restored 1923 teak-trimmed yacht, followed by a four-course
meal at the Palm Beach Yacht Club. Maestro Järvi led a toast to the
Cummings, thanking them for the gracious party, and to Ralph Gerson,
Executive Vice President of Guardian Industries, and his wife, Erica.
Around the tables, musicians told tales of past tours and the
glory these occasions bring.
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L
to R Clockwise: The setting was almost like a cruise |
Upon
arrival in the Sunshine State, some musicians
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Trombonist
Randy Hawes (left) arrived extra early at the Kravis Center in order to
get in his practice licks.
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Principal
Tuba Wesley Jacobs always finds a
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Assistant
Principal Bass Stephen Molina is the first
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Neeme
Järvi (left), the DSO and Joshua Bell (right)
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A packed house awaited the Detroit Symphony Orchestra on opening night of its Sunshine Tour, which took place at the striking and modern Kravis Center for the Performing Arts in West Palm Beach. A mere nine years old, the venue seemed vast compared to the intimate confines of Detroit’s Orchestra Hall. With décor reminiscent of Art Deco -- but with a dash of Hollywood, and a color scheme of white with gold trim and red plush seats, the band from Detroit met its first challenge of the tour head on. Later, a Florida audience member was overheard to say - “I’ve never seen this audience so enthusiastic.” The occasion also marked the first performance outside Michigan of Michael Daugherty’s MotorCity Triptych. It would be off to Miami for the Detroiters in the morning, and an evening concert at the Dade County Auditorium.
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January 20, 2001
Excerpt from the Miami Herald "Detroit Symphony Polished Under Virtuoso Conductor" . . . Neeme Järvi is a virtuoso conductor with a formidable technique, who establishes an unbroken line of communication with audiences and orchestras, and has a consistent point of view. The Detroit Symphony Orchestra . . . has been a good group since the early 1950s under Paul Paray. But I doubt it sounded more polished then, or poised and responsive than it did under Järvi at the Kravis Center Wednesday night. [Järvi] opened with Carl Nielsen's Maskarade Overture. The feathery accuracy of the string playing in this curtain-raiser for a comedy was as deft as Järvi's projection of its frothy aura. Then came Sibelius' Violin Concerto, with Joshua Bell dashing off the solo to make the ghost of Heifetz sit up and take notice . . . . . . Michael Daugherty's imaginative new MotorCity Triptych was another plus -- not just some predictable piece d'occasion, but rather a genuinely riveting 20-minute orchestral essay using Motown as a springboard for bluesy excursions, flecked with guttural wind sounds, tangy trombones, and a sassy solo trumpet . . . James Roos
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Michael Daugherty (right), who is
accompanying the
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Photos: © 2001 Blake J. Discher
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